Dina Goldstein's artistic journey spans over three decades, beginning as a photojournalist and eventually evolving into an independent artist with a focus on elaborate narrative photography. Her work is a testament to her intricate social commentary, blending cultural archetypes and collective imagery with narratives rooted in the human experience. Drawing from surrealism, Dina constructs compositions that lay bare the underbelly of contemporary life, challenging prevailing cultural influences and deep-seated belief systems. In 2007, Dina Goldstein embarked on a specific journey, fueled by personal experiences and a critical view of the "happily ever after" narrative perpetuated by Disney and embraced by Western society. As a feminist and new mother, she took issue with the stereotypical portrayals of women and girls in Disney's stories. Her series "Fallen Princesses" (2007-2009) features humanized fairy tale princesses confronting modern-day challenges like cancer, addiction, obesity, war, and environmental degradation. This poignant work earned her the Prix Virginia in 2014, an international prize for women photographers, and led to exhibitions in Paris, Quebec and in the United States. Dina's subsequent project, "In The Dollhouse" (2012), unfolds within an intricately conceptualized, life-sized dollhouse inhabited by human Barbie and Ken dolls. In this alternative reality, Barbie undergoes a transformation by cutting her iconic blond locks, while Ken embarks on a journey of self-discovery. The series sparks discussions about unattainable beauty ideals, the myth of perfection, and the relationship between beauty, power, and happiness. "In The Dollhouse" has been widely exhibited, including a feature in the Musee D'Orsay's Frida Kahlo and Diego Rivera catalog and inclusion in the FotoMuseo collection in Colombia. Her ambitious project "Gods Of Suburbia" (2014) delves into the world of established and fringe religions. Deities from various traditions are portrayed as mortal, adapting to the challenges of modern life. By offering an iconoclastic interpretation of how ancient belief systems intersect with modernity's pillars—technology, science, and secularism—Dina's surreal creations prompt viewers to contemplate the relevance of ancient ethics and enduring belief systems. The series has been exhibited internationally, with "The Last Supper" finding particular resonance in Italy.

Mathilde Oscar was born in Paris in 1980, and lives and works in Cannes. She is a multifaceted artist whose artistic evolution is as fascinating as it is diverse. Her artistic journey is an odyssey that fuses a passion for painting, in-depth study of art history, graphic design and photography, ultimately giving birth to a singular visual language. In the beginning, Mathilde Oscar explored the intricacies of painting, a medium that captured her heart and mind. This period was an enriching exploration of creativity, shaping her artistic perception. Art history became her ally, offering her a deep understanding of the classic masters of past centuries. Over the years, Mathilde broadened her creative horizon to immerse herself in the world of graphic design. This immersion was a transformative period in which she honed her mastery of shapes, colors and visual compositions. However, it was only the prelude to a more significant metamorphosis. In 2013, self-taught, she chose photography as a means of expression, offering a new canvas for her pictorial ideas, deeply rooted in artistic movements from the Renaissance to Neo-Classicism. In her photographs, Mathilde Oscar succeeds in capturing a striking atmosphere, giving her works an almost quasi-pictorial quality to her work. Her creative process frequently involves the meticulous fabrication of sets, costumes and props, although some of her inspirations can consist of digital elements that harmonize with her photographic composition. What really sets Mathilde apart is her talent for interweaving the codes of classical painting with contemporary photography and pop culture. Her portraits are often anachronistic and offbeat conventions that seem suspended in an elusive space-time, while at the same time abounding in subtle references to art history. Her artistic universe is one of great variety: sometimes romantic, sometimes imbued with surrealismmarked by a subtle dash of humor. The characters she captures become timeless icons, while her female portraits take on a Madonna-like aura, and her male figures (which she takes pleasure in reinventing as feminine) seem to revisit Christ-like archetypes. In short, Mathilde Oscar is an artist who transcends artistic boundaries, fusing past and present painting and photography, to create a captivating visual world.

Idan Wizen is a photographer whose work focuses on the diversity, beauty of humanity, and individual freedom explored in various forms. Owner of the art gallery Studio Idan, located in the heart of Paris, he dedicates his time and energy primarily to his art, aiming to capture authentic and intimate moments through his lens. Born in 1984 in Tel Aviv, Idan pursued a rich and varied artistic path, honing his craft in Paris, where he eventually established his own studio. His flagship project, "Who’s That Nude In The Living Room?", reflects his passion for photography and commitment to representing human diversity. This ambitious project gathers thousands of portraits of people from all walks of life, each celebrating the unique beauty of the individual. Individual freedom is a key theme in Idan's work, explored in various forms across his pieces. His collection "Hinders" is a notable example, addressing personal and societal constraints that shape our lives. His photographs capture the essence of his subjects, highlighting their uniqueness and humanity with great sensitivity. Idan has held over 50 exhibitions in France, the USA, and Japan, sharing his work with an international audience. His works have been widely recognized and awarded, receiving numerous international photography prizes. The art gallery Studio Idan is more than just an exhibition space. It is a place of sharing and discovery, where Idan showcases not only his own works but also those of other artists who share a similar vision of art and humanity. Idan Wizen continues to explore and push the boundaries of photography, always seeking to capture the essence of his subjects with respect and depth. His work offers a new and inclusive perspective on human beauty and diversity, celebrating individual freedom and authenticity.