ARTWORK DETAILS
Elohim by Dina Goldstein - Gods Of Suburbia Collection
Interior View
Size currently shown: Plop
Prints still available
20 in S, 10 in M and in L
45 x 60 cm (18 x 24”)
1500 € Sold out
1500 € Sold out
74 x 94 cm (29 x 37”)
4000 € Sold out
4000 € Sold out
99 x 127 cm (39 x 50”)
5500 € Sold out
5500 € Sold out
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Original signed and numbered print
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1500 €
Please note, the price of this work of art is progressive.
This means that every time one of the copies is sold, the price of the remaining prints increases.
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Edition of this artwork
20 in S, 10 in M and in L
Type of print
Fine Art Print on Satin Paper
Signature
On the back.
Certificate of Authenticity
Yes, included by the gallery.
Year of Creation
2014
Fine Art Artist
Dina Goldstein
Collection
Gods Of Suburbia
Gods Of Suburbia
This collection examines the personas of ordinary individuals amidst the backdrop of suburban life. Through a striking series of photographs, Goldstein challenges the notions of contemporary mythology, juxtaposing iconic gods and goddesses from various cultures with the mundane reality of suburban existence. This thought-provoking collection peels back the layers of our culture, revealing the aspirations, struggles, and desires of modern society against a backdrop that is both familiar and surreal.
In this series, Goldstein prompts viewers to question the significance and relevance of ancient myths and deities in our present-day lives, highlighting the contemporary yearning for identity, power, and purpose within the ordinary routines of suburban life. The clash between the mythological and the commonplace brings to light the universal human quest for meaning and the desire to transcend the confines of the everyday. “Gods of Suburbia” challenges preconceived notions about divinity and prompts a deeper reflection on the intricacies of the human condition in the modern world.
Dina Goldstein
The creative odyssey of Dina Goldstein unfolds over three decades, transitioning from photojournalism to an audacious exploration of narrative photography. Her oeuvre stands as a complex critique of societal norms, intertwining iconic cultural symbols and shared visual motifs with stories grounded in the essence of human condition. Dina's artistry, rooted in the principles of surrealism, unveils the complexities of modern existence, questioning the dominant cultural narratives and the entrenched ideologies that shape our perceptions.
Initiated in 2007, Goldstein's artistic venture, inspired by her personal reflections and a scrutinizing perspective on the conventional notions of 'happily ever after' propagated by Disney narratives and widely accepted in Western culture, delves into the reimagined lives of fairy tale princesses through her "Fallen Princesses" series (2007-2009). As a feminist and a mother to a daughter, she critiques the traditional depictions of femininity and childhood in Disney's tales. Her portrayals of princesses dealing with contemporary issues such as illness, addiction, environmental crises, and warfare resonated widely, culminating in her receiving the prestigious Prix Virginia in 2014, an international accolade for female photographers, and showcasing her work in exhibitions across Paris, Quebec, and the USA.
Her next endeavor, "In The Dollhouse" (2012), reveals a narrative set in a meticulously designed, full-scale dollhouse where human versions of Barbie and Ken navigate through life's vicissitudes. This series illuminates the absurdity of chasing after unattainable standards of beauty and perfection, and the intricate dynamics between appearance, authority, and contentment. It has gained international acclaim, featuring in the Frida Kahlo and Diego Rivera catalog by Musee D’Orsay and becoming a part of the FotoMuseo collection in Colombia.
With "Gods Of Suburbia" (2014), Goldstein ventures into the realm of religious iconography, portraying deities from diverse faiths grappling with the trials of contemporary society. This body of work offers a provocative view on the adaptation of age-old spiritual entities to the realities shaped by technology, science, and secular values, urging the audience to reflect on the enduring significance of traditional morals and beliefs in today's world. The collection has enjoyed global recognition, especially "The Last Supper," which garnered significant attention in Italy.