Dina Goldstein's artistic journey spans over three decades, beginning as a photojournalist and eventually evolving into an independent artist with a focus on elaborate narrative photography. Her work is a testament to her intricate social commentary, blending cultural archetypes and collective imagery with narratives rooted in the human experience. Drawing from surrealism, Dina constructs compositions that lay bare the underbelly of contemporary life, challenging prevailing cultural influences and deep-seated belief systems. In 2007, Dina Goldstein embarked on a specific journey, fueled by personal experiences and a critical view of the "happily ever after" narrative perpetuated by Disney and embraced by Western society. As a feminist and new mother, she took issue with the stereotypical portrayals of women and girls in Disney's stories. Her series "Fallen Princesses" (2007-2009) features humanized fairy tale princesses confronting modern-day challenges like cancer, addiction, obesity, war, and environmental degradation. This poignant work earned her the Prix Virginia in 2014, an international prize for women photographers, and led to exhibitions in Paris, Quebec and in the United States. Dina's subsequent project, "In The Dollhouse" (2012), unfolds within an intricately conceptualized, life-sized dollhouse inhabited by human Barbie and Ken dolls. In this alternative reality, Barbie undergoes a transformation by cutting her iconic blond locks, while Ken embarks on a journey of self-discovery. The series sparks discussions about unattainable beauty ideals, the myth of perfection, and the relationship between beauty, power, and happiness. "In The Dollhouse" has been widely exhibited, including a feature in the Musee D'Orsay's Frida Kahlo and Diego Rivera catalog and inclusion in the FotoMuseo collection in Colombia. Her ambitious project "Gods Of Suburbia" (2014) delves into the world of established and fringe religions. Deities from various traditions are portrayed as mortal, adapting to the challenges of modern life. By offering an iconoclastic interpretation of how ancient belief systems intersect with modernity's pillars—technology, science, and secularism—Dina's surreal creations prompt viewers to contemplate the relevance of ancient ethics and enduring belief systems. The series has been exhibited internationally, with "The Last Supper" finding particular resonance in Italy.

Arnaud Baumann, French portrait photographer and videographer, was born in 1953 and left an indelible mark on the world of photography. His career began alongside photographer Xavier Lambours, with whom he had the opportunity to capture unique and intimate moments by photographing the behind the scenes, hysterics and editorial conferences of Hara Kiri and Charlie Hebdo magazines. This experience marked the start of a promising career. Over the years, Baumann has been published in renowned magazines such as Hara Kiri, Libération, Le Nouvel Observateur, Télérama, VSD, Paris Match and Géo, thus demonstrating his talent and versatility as a photographer. During one of the key periods of his career, from 1978 to 1983, Baumann immortalized the evenings at Fabrice Emaer's "Palace". Through his photographs, he captures the very essence of these extravagant evenings, immersing us in the electric and liberated atmosphere of a bygone era. Baumann devotes a large part of his career to portraiture, becoming a master in the art of revealing the essence of well-known personalities and cultural actors. His portraits are imbued with depth and sensitivity, to the point of capturing the soul of his subjects. Throughout his career, Baumann reinvented his style while remaining faithful to what makes him a generational photographer. His process rethinks the links between the structure of his vision and the reality that surrounds it. His photographs are recognizable by their precise framing, precise colors and always mastered compositions.

Anna Laza, an influential visual artist in the field of art photography, weaves a tapestry of innovative styles through her lens. Her projects delve deeply into the realms of shooting and post-production, creating a unique fusion of technique and emotion. Acclaimed internationally, her work has not only been exhibited worldwide but has also won numerous prestigious awards, including honors at renowned competitions such as LensCulture. Anna's art finds its place in the pages of esteemed photography magazines, and her keen eye is often sought for inclusion in prestigious juries at photographic events. Beyond her personal creations, Anna is the visionary behind FotoSlovo, a magazine dedicated to discovering and celebrating emerging talents in photography each year. Her project "Story of Love" is a poetic exploration of the silent eloquence of human hands, expressed through the timeless medium of black-and-white photography. Here, hands become the sole protagonists, with each gesture revealing a chapter in the intricate tapestry of human emotions and relationships. In this collection, Anna captures the raw and tactile essence of emotions—affection, trust, unity, and even anger. Each photograph is a narrative in itself, depicting the universal story of human connection through the language of physical touch. "Story of Love" is a celebration of the timeless bonds that unite us all, capturing the universal language of touch in its purest and most expressive form. Through her lens, Anna Laza invites us to witness the profound beauty and complexity of human interaction, offering a glimpse into this silent yet eloquent language that speaks volumes about our shared humanity.